Marcin Runowiecki R-Design
Special Collection
Interior design is my natural language.
For years, I have been designing interiors that are not only functional, but also welcoming. Spaces where one can find oneself and unwind. It all starts with proportions, light, and material. They build the atmosphere.
I'm not looking for an effect - I'm looking for harmony. The interiors I design have their own pace, rhythm, and tone. They do not overwhelm. They are grounded, free, and refined.
Out of the need to expand this language into something more personal, the collection of original graphics and murals was born. It was not a plan or a strategy. It was a natural step - a further continuation of the conversation about space.
Graphics and murals have become an independent chapter of my work. They are not decorations. Not accessories. I treat them as interior elements - equal to furniture, wall structure, or light. Their role is not to stand out. They are meant to be present, yet unobtrusive. To work in the background, but with character.
I focus on balanced composition: color, texture, and form always function together. Patterns are created to harmonize with the interior - not compete with it. They are an invitation to peace. To breathe. To silence, where one can feel good.
Inspirations come slowly.
Most often from seemingly insignificant things - a piece of leaf stuck to the window, the play of light on the wall on a cloudy day, a reflection in the water that lasted a second. They are quiet, sometimes almost imperceptible. But it is from such details that the mood is born.
What is found in this collection is not a description of reality - rather an echo of moments. It is a record of emotions, rhythm, structure. Shapes that are not always easy to name.
Sometimes they are references to plants - not directly, more as an impression. Other times - natural veining in stone, water movement, or a shifting shadow. There is a lot of intuition, softness, natural implications in this collection.
I think abstractly and emotionally. I don't copy nature - I extract from it what moves me: space, movement, fluidity. I'm not looking for literalness or symmetry. I like moments where something blurs, shifts, doesn't end.
What is most precious is often on the edge of what is visible.
Graphics and murals are created in the rhythm of design work - as its extension. Always with the interiors they will inhabit in mind. They are like a soft layer - complementing proportions, emphasizing color palettes, completing the architecture of light.
I aim for these patterns to allow space to breathe.
To be a background that doesn't fade away - but also doesn't scream.
