Landscapes wallpapers | Scandinavian | Landscape

<p>"Luvena MRL100"</p>

Collection: Marcin Runowiecki R-Design

A hazy forest landscape unfolds in soft grays and beiges, as if filtered by the morning light. The layered silhouettes of trees blend with the canvas texture, creating a calm, soothing depth. The gentle transitions of tones leave plenty of space and breathing room, not overwhelming the interior. A subtle patina adds a touch of natural elegance and harmony to the composition. The wallpaper will complement bright, minimalist arrangements perfectly, introducing an atmosphere of silence and Scandinavian tranquility.

Customize the graphics perfectly to your space - change the dimensions, saturation, and color, enlarge or rotate according to your own vision. Download a preview with a valuation, order a sample, or buy the selected graphic immediately to enjoy a perfect fit for your interior.

Available graphic versions

Marcin Runowiecki R-Design

Special Collection

About the Studio

Interior design is my natural language.

For years, I have been designing interiors that are not only functional, but also welcoming. Spaces where one can find themselves and unwind. It all starts with proportions, light, and material. They build the atmosphere.

I'm not looking for an effect - I'm seeking harmony. The interiors I design have their own pace, rhythm, and tone. They don't overwhelm. They are grounded, free, and refined.

Out of the need to expand this language into something more personal, emerged a collection of original graphics and murals. It wasn't a plan or a strategy. It was a natural progression - a further continuation of the conversation about space.

Graphics and murals became an independent chapter of my work. They are not decorations. Not accessories. I treat them as interior elements - on par with furniture, wall structure, or light. Their role is not to stand out. They are meant to be present, yet unobtrusive. To work in the background, but with character.

I focus on balanced composition: color, texture, and form always function together. Patterns are created to harmonize with the interior - not compete with it. They are an invitation to peace. To breathe. To a silence where one can feel good.

Inspirations for the Collection

Inspirations come unhurriedly.

Most often from seemingly insignificant things - from a leaf fragment stuck to a window, from light playing on a wall on a cloudy day, from a fleeting reflection in water. They are quiet, sometimes almost imperceptible. But it is from such details that the mood is born.

What is found in this collection is not a description of reality - rather an echo of moments. It is a record of emotions, rhythm, structure. Shapes that are not always easy to name.

Sometimes they are references to plants - not directly, more as an impression. Other times - natural veining of stone, water movement, or a shifting shadow. There is a lot of intuition, softness, natural understatement in this collection.

I think abstractly and emotionally. I don't copy nature - I extract from it what moves me: space, movement, fluidity. I'm not looking for literalness or symmetry. I like moments where something blurs, shifts, doesn't end.

What is most precious is often on the verge of what is visible.

Graphics and murals are created in the rhythm of design work - as its extension. Always with the interiors they will inhabit in mind. They are like a soft layer - complementing proportions, emphasizing color palettes, completing the architecture of light.

I aim for these patterns to allow space to breathe.

To be a background that doesn't fade away - but also doesn't scream.

Our foundations

CANVAS - vinyl wallpaper with a non-woven backing. The structure resembles a canvas texture. The wallpaper on this backing gives the impression of three-dimensionality, and the structure makes it look like a painted picture.

grammage 350g/m2
fire resistance B-s2, d0
maximum width of the roll 1.3m
mounting system: butt joint / double cut

Sample graphic

The sample consists of two complementary presentations: a miniaturized version of the entire graphic, which allows you to see the layout, proportions, and composition of the pattern, and a 1:1 scale slice - exactly in the enlargement in which the fragment will be visible on the wall after printing. Thanks to this, the customer gains both a full view of the project and a real reference to the color, detail, and character of the print.

Ordering a sample particularly helps to reduce the risk of color differences resulting from various settings of computer screens, phones, or tablets, which can present colors in a different way. The sample provides certainty that the final effect will meet expectations - both in terms of shade and print quality.

It is encouraged to order a sample before placing the final order. This facilitates further communication and verification of the effect, and in case of any doubts, speeds up their clarification. It should be noted that in situations where the only reason for discrepancies is differences in color display on screens, the lack of a previously ordered sample may limit the possibility of a positive consideration of the claim.

Assembly instructions

All REVE graphics are prepared for standard flush mounting, allowing for a seamless and elegant surface without visible joints.

If, however, there is a need to mount on a tab (e.g. due to technical requirements or the interior's specificity), it is also possible - just inform us at the ordering stage so that the graphics can be prepared accordingly.

More detailed information regarding the preparation of the substrate and the assembly itself can be found in the REVE assembly instructions.

Substrate preparation

Wall preparation

Wallpaper installation

Before installing the REVE graphics, it is crucial to properly prepare the surface. The wall must be clean, dry, smooth, and slightly absorbent, as any imperfections may be visible and further emphasized under the graphic. It is necessary to prime the wall twice with a deeply penetrating preparation (e.g. Scala Ultraprimer 08), allowing at least 24 hours between coats. In the case of previously painted walls, they should be thoroughly washed, degreased, sanded (e.g. with sandpaper), and then primed. Walls without a paint coating, such as plasterboard, plaster, render, or concrete, also require careful priming. If there are old wallpapers on the wall, they should be completely removed, any irregularities leveled, and primed again. Wallpapering should always be the final stage of finishing work.

When preparing the wall for installation, all obstacles that may hinder work, such as hooks, pins, moldings, or sockets, should be removed. Skirting boards, door frames, and window frames should be sealed with acrylic in advance and thoroughly cleaned, as sealing with acrylic after sticking the graphic may lead to its damage. Sockets and switches should be dismantled and left without frames, and all holes for lamps or pictures should be prepared before starting the installation. Furniture should be moved away from the wall by at least one meter. For hidden doors, it is recommended to use a special adhesive suitable for non-absorbent surfaces. The wall must be prepared according to the planned installation method - either butt joint or overlap.

Before mounting the graphics, it should be unfolded on a flat surface and left for a minimum of 24 hours to straighten. The adhesive is applied directly to the wall, the width of one strip, preferably using a roller. The first strip is mounted vertically, smoothing it from the center outwards with a spatula or roller, which helps to remove air bubbles and excess glue. Each strip has a surplus of about 10 cm at the top and bottom, allowing for precise alignment. Subsequent strips are mounted according to the chosen method: either butt joint, accurately matching the edges without overlapping, or overlap joint, by placing the edges on top of each other, then cutting both layers simultaneously with a knife, removing excess and pressing down, creating a "zipper effect." Excess wallpaper at the ceiling and floor should be cut off with a sharp knife. After completing the installation, avoid drafts, sudden temperature changes, and do not ventilate the room for at least 24 hours. The wallpaper should dry slowly, in stable conditions, to achieve the best visual effect and durability.

Dedicated PARA Paints:

We offer specially dedicated PARA brand paints that are perfectly matched to our wallpapers. This unique option allows for creating a perfectly cohesive interior look, where paint and wallpaper complement each other, creating a harmonious whole. Our paints are available in a wide range of colors, allowing for precise matching to the patterns and colors of wallpapers chosen by the customer. This solution is ideal for those looking for not only an aesthetic but also a practical way to finish their walls, ensuring durability and stylish finishing of every room.

Order paint by clicking on the selected color