Arche Arabe AA100

Collection: Arche

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In this oil painting, a white horse becomes the hero of a story about elegance and freedom. Its fur is like a pure snowflake, and its shining mane shimmers with shades of gold and silver, like the flickering sunlight in the morning dew.

The horse stands proudly, emanating strength and majesty. Its eyes are deep blue, like the sky on a cloudless day. In their gaze lies a mystery and wisdom that permeates the entire scene.

Around the horse, fantastic flowers bloom, like a rainbow in the field of nature. These are diverse petals that dance to the rhythm of a gentle breeze. Reds, oranges, blues, and violets create a striking contrast with the white horse, fully showcasing the beauty and richness of nature.

The background of the painting, done in oil technique, evokes delicate wisps of clouds floating in the sky. Their shades are like pastel rays of the setting sun, enveloping the entire scene in an aura of peace and magic.

This work of art is like a window to another world, where the beauty of nature and harmony with animals come together in one composition. It is a tribute to the strength and charm of the horse, as well as to the magic and diversity of the plant world.

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Customize the graphics perfectly to your space - change the dimensions, saturation, and color, enlarge or rotate according to your own vision. Download a preview with a valuation, order a sample, or buy the selected graphic immediately to enjoy a perfect fit for your interior.

Possible graphic formats:

Our foundations

CANVAS PUBLICS - vinyl wallpaper with a non-woven backing. The structure resembles a canvas texture. The wallpaper on this backing gives the impression of three-dimensionality, and the structure makes it look like a painted picture.

grammage 350g/m2
fire resistance B-s2, d0
maximum width of the roll 1.3m
mounting system: butt joint / double cut

Assembly instructions

All REVE graphics are prepared for standard flush mounting, allowing for a seamless and elegant surface without visible joints.

If, however, there is a need to mount on a tab (e.g. due to technical requirements or the interior's specificity), it is also possible - just inform us at the ordering stage so that the graphics can be prepared accordingly.

More detailed information regarding the preparation of the substrate and the assembly itself can be found in the REVE assembly instructions.

Substrate preparation

Wall preparation

Wallpaper installation

Before installing the REVE graphics, it is crucial to properly prepare the surface. The wall must be clean, dry, smooth, and slightly absorbent, as any imperfections may be visible and further emphasized under the graphic. It is necessary to prime the wall twice with a deeply penetrating preparation (e.g. Scala Ultraprimer 08), allowing at least 24 hours between coats. In the case of previously painted walls, they should be thoroughly washed, degreased, sanded (e.g. with sandpaper), and then primed. Walls without a paint coating, such as plasterboard, plaster, render, or concrete, also require careful priming. If there are old wallpapers on the wall, they should be completely removed, any irregularities leveled, and primed again. Wallpapering should always be the final stage of finishing work.

When preparing the wall for installation, all obstacles that may hinder work, such as hooks, pins, moldings, or sockets, should be removed. Skirting boards, door frames, and window frames should be sealed with acrylic in advance and thoroughly cleaned, as sealing with acrylic after sticking the graphic may lead to its damage. Sockets and switches should be dismantled and left without frames, and all holes for lamps or pictures should be prepared before starting the installation. Furniture should be moved away from the wall by at least one meter. For hidden doors, it is recommended to use a special adhesive suitable for non-absorbent surfaces. The wall must be prepared according to the planned installation method - either butt joint or overlap.

Before mounting the graphics, it should be unfolded on a flat surface and left for a minimum of 24 hours to straighten. The adhesive is applied directly to the wall, the width of one strip, preferably using a roller. The first strip is mounted vertically, smoothing it from the center outwards with a spatula or roller, which helps to remove air bubbles and excess glue. Each strip has a surplus of about 10 cm at the top and bottom, allowing for precise alignment. Subsequent strips are mounted according to the chosen method: either butt joint, accurately matching the edges without overlapping, or overlap joint, by placing the edges on top of each other, then cutting both layers simultaneously with a knife, removing excess and pressing down, creating a "zipper effect." Excess wallpaper at the ceiling and floor should be cut off with a sharp knife. After completing the installation, avoid drafts, sudden temperature changes, and do not ventilate the room for at least 24 hours. The wallpaper should dry slowly, in stable conditions, to achieve the best visual effect and durability.

Dedicated PARA Paints:

We offer specially dedicated PARA brand paints that are perfectly matched to our wallpapers. This unique option allows for creating a perfectly cohesive interior look, where paint and wallpaper complement each other, creating a harmonious whole. Our paints are available in a wide range of colors, allowing for precise matching to the patterns and colors of wallpapers chosen by the customer. This solution is ideal for those looking for not only an aesthetic but also a practical way to finish their walls, ensuring durability and stylish finishing of every room.

Order paint by clicking on the selected color

Prism Violet
105E

Majesty
105F

Stonington
408G