Animal wallpapers | Oil painting | Animal

Arche Amoureux AA105

Collection: Arche

This mural is a delicate knot between colonial tranquility and the lushness of nature, showcasing delicacy and harmony in one.

In the central part of the mural emerges a majestic branch, which seems to flow with calmness and dignity. Its bark has the shade of old parchment, evoking age-old tranquility. Three birds rest on this peaceful tree, like jewels in the crown of nature.

The first one, with white plumage, exudes purity and tranquility. Its feathers shine like pearls in the light of the morning dew, creating a subtle contrast with the surroundings. The eyes of this bird are deep blue, like the sky before sunrise.

Next to it sits the second bird, with yellow feathers. It is like a sunbeam, illuminating this peaceful place with its golden glow. Its eyes are alert, radiating the joy of life.

The third bird, with navy plumage, resembles a tranquil night, full of mysterious reflections. Its feathers are deep and intense, creating a contrast with the bright background. The eyes of this bird have a shade of pomegranate, blending into the surrounding beauty.

In the background, we see a lush garden, where flowers of different colors and shapes arrange themselves in a harmonious composition. Their delicate petals are like sounds of notes, bringing peace and solace.

This mural exudes tranquility and balance, transporting us to a colonial garden where nature merges with human harmony. It is a work of art that reminds us of the beauty of simplicity and the importance of balance in our lives.

Customize the graphics perfectly to your space - change the dimensions, saturation, and color, enlarge or rotate according to your own vision. Download a preview with a valuation, order a sample, or buy the selected graphic immediately to enjoy a perfect fit for your interior.

Our foundations

CANVAS - vinyl wallpaper with a non-woven backing. The structure resembles a canvas texture. The wallpaper on this backing gives the impression of three-dimensionality, and the structure makes it look like a painted picture.

grammage 350g/m2
fire resistance B-s2, d0
maximum width of the roll 1.3m
mounting system: butt joint / double cut

Sample graphic

The sample consists of two complementary presentations: a miniaturized version of the entire graphic, which allows you to see the layout, proportions, and composition of the pattern, and a 1:1 scale slice - exactly in the enlargement in which the fragment will be visible on the wall after printing. Thanks to this, the customer gains both a full view of the project and a real reference to the color, detail, and character of the print.

Ordering a sample particularly helps to reduce the risk of color differences resulting from various settings of computer screens, phones, or tablets, which can present colors in a different way. The sample provides certainty that the final effect will meet expectations - both in terms of shade and print quality.

It is encouraged to order a sample before placing the final order. This facilitates further communication and verification of the effect, and in case of any doubts, speeds up their clarification. It should be noted that in situations where the only reason for discrepancies is differences in color display on screens, the lack of a previously ordered sample may limit the possibility of a positive consideration of the claim.

Assembly instructions

All REVE graphics are prepared for standard flush mounting, allowing for a seamless and elegant surface without visible joints.

If, however, there is a need to mount on a tab (e.g. due to technical requirements or the interior's specificity), it is also possible - just inform us at the ordering stage so that the graphics can be prepared accordingly.

More detailed information regarding the preparation of the substrate and the assembly itself can be found in the REVE assembly instructions.

Substrate preparation

Wall preparation

Wallpaper installation

Before installing the REVE graphics, it is crucial to properly prepare the surface. The wall must be clean, dry, smooth, and slightly absorbent, as any imperfections may be visible and further emphasized under the graphic. It is necessary to prime the wall twice with a deeply penetrating preparation (e.g. Scala Ultraprimer 08), allowing at least 24 hours between coats. In the case of previously painted walls, they should be thoroughly washed, degreased, sanded (e.g. with sandpaper), and then primed. Walls without a paint coating, such as plasterboard, plaster, render, or concrete, also require careful priming. If there are old wallpapers on the wall, they should be completely removed, any irregularities leveled, and primed again. Wallpapering should always be the final stage of finishing work.

When preparing the wall for installation, all obstacles that may hinder work, such as hooks, pins, moldings, or sockets, should be removed. Skirting boards, door frames, and window frames should be sealed with acrylic in advance and thoroughly cleaned, as sealing with acrylic after sticking the graphic may lead to its damage. Sockets and switches should be dismantled and left without frames, and all holes for lamps or pictures should be prepared before starting the installation. Furniture should be moved away from the wall by at least one meter. For hidden doors, it is recommended to use a special adhesive suitable for non-absorbent surfaces. The wall must be prepared according to the planned installation method - either butt joint or overlap.

Before mounting the graphics, it should be unfolded on a flat surface and left for a minimum of 24 hours to straighten. The adhesive is applied directly to the wall, the width of one strip, preferably using a roller. The first strip is mounted vertically, smoothing it from the center outwards with a spatula or roller, which helps to remove air bubbles and excess glue. Each strip has a surplus of about 10 cm at the top and bottom, allowing for precise alignment. Subsequent strips are mounted according to the chosen method: either butt joint, accurately matching the edges without overlapping, or overlap joint, by placing the edges on top of each other, then cutting both layers simultaneously with a knife, removing excess and pressing down, creating a "zipper effect." Excess wallpaper at the ceiling and floor should be cut off with a sharp knife. After completing the installation, avoid drafts, sudden temperature changes, and do not ventilate the room for at least 24 hours. The wallpaper should dry slowly, in stable conditions, to achieve the best visual effect and durability.

Dedicated PARA Paints:

We offer specially dedicated PARA brand paints that are perfectly matched to our wallpapers. This unique option allows for creating a perfectly cohesive interior look, where paint and wallpaper complement each other, creating a harmonious whole. Our paints are available in a wide range of colors, allowing for precise matching to the patterns and colors of wallpapers chosen by the customer. This solution is ideal for those looking for not only an aesthetic but also a practical way to finish their walls, ensuring durability and stylish finishing of every room.

Order paint by clicking on the selected color